Larry Page: Android Isn’t Critical

Matt Macari for the Verge:

Oracle completed its cross-examination of Google CEO Larry Page today in the copyright phase of the trial between the two Silicon Valley giants, and Page was quite candid about Android’s importance to Google as a whole. When asked if he believed Android was a critical asset to Google around 2010, Page said: “I believe Android was very important for Google. I wouldn’t say it was critical.”

When asked whether Google’s board of directors was told that Android was critical to Google, Page stated that he wouldn’t be surprised if that was the case, but that he wasn’t sure he’d go that far. He elaborated that Android was a means to get pre-existing Google services to mobile users. “We’d been frustrated getting our technology out to people,” said Page.

I don’t think this should be any real surprise. Android exists so people use Google’s services — that’s it. This goes a long way toward understanding why Google doesn’t seem to care that much about issues like fragmentation and under-whelming devices.

The iTunes Store was invented, on the other hand, for Apple to sell music for people to fill up their iPods with. iCloud is a free service because Apple wants people to spend money on apps, music and iPads.

Old Mac of the Month: Beige PowerMac G3

This month’s entry is written by John C. Vieira. He’s a copywriter living in Portland, Oregon. It’s very important that you read his blog at jcv.me and follow him on twitter @thelegendofjohn. Seriously, his self-esteem is directly tied to his internet popularity.


What does it mean to be the last of your kind?

The beige Power Macintosh G3 knows. It was the last beige Macintosh. It looked like every Power Mac before it but it was top of the line and it came with that ad campaign where a snail was carrying a Pentium II processor on its shell. It was the first computer to use the G3—the third generation of PowerPC processors. It could perform just as well and sometimes better, than its immediate, supposedly superior and certainly more notorious, replacement.

By now we all know the truth. The beige G3 was a last stop on the way to today’s modern Apple and it is with this context that we can fully understand what it meant to use and own a beige G3.

The first iMac appeared just a few months after the beige G3’s release (November 1997 vs. May 1998.) It had very similar specs and insides and guts, but it was clear to everyone that it was something else entirely. A different beast with gentle curves and friendly translucent Bondi blues.

There’s a rumor that says Jony Ive created Bondi blue by taking a palmful of the bluest Australian ocean water he could find and, after walking several thousands of miles back to his industrial design lab in the dank bowels of the Apple campus with that same palmful of water kept in a state of perfect tranquility by Ives’ unnaturally strong equilibrium, he used a machine that had no knobs and no buttons, but a silhouette strongly reminiscent of somehow all of the Dieter Rams-era Braun products, to turn it into a Pantone swatch while Steve Jobs massaged his shoulders.

With that Pantone swatch secure in an underground bunker within an underground bunker, Steve and Jony switched places. As Jony worked out the kinks and knots in Steve’s shoulders, Jobs started changing things. Fundamental things. He literally drove a dump truck full of floppy drives and ADB ports off of a cliff. Just to make a point. He invented the USB port by accident. He made every peripheral company swear to make matchy-matchy accessories so you never had to stop touching Bondi blue. Whether or not they were under duress when they entered this agreement, nobody could say.

That iMac changed everything we know about computers as super-fuckable consumer objects. And still there was the beige G3. Ungainly in retrospect, but an equal in practice.

How do you prove yourself in a world where you’ve been replaced by a much more handsome and popular version of yourself? If you have 233 megahertz and a G3 processor you use 233 megahertz and your G3 processor for all it is worth. You work harder.

For me using this computer to it’s potential manifested itself as hours in Claris HomePage making moderately trafficked websites about Apple (who the hell is Daring Fireball?) and going against printed requirements and logic by installing a USB card so I could burn so many mix CDs full of Minnesota-based rap music on the purple Iomega burner I got for my birthday. And if I don’t mention LucasArts adventure games and demos of varying fun and usefulness installed from the monthly MacAddict disks I will almost certainly wish I had. To save several late night emails of varying desperation sent from myself to the owner of this website, I’m mentioning them now.

The beige G3 never felt weird or wrong or outdated to me. It felt right. I was excited about the iMac and the broader implications of how it was saving Apple, but my G3 felt (and looked) just like every other Mac I’d previously owned–only better. It wasn’t a new type of hammer I had to learn to wield, it was just a bigger, badder hammer. It was more powerful than ever, and by proxy so was I.

And that’s all good, but let’s get serious here.

As a 12 year-old kid that beige Power Macintosh G3 was shaping my life. I’m now a copywriter at a design firm. We create brands and products and services—many of which you’ve used and perhaps loved. My job is to write and be clever. Knowing my work can make an experience better gives me that ‘dent in the universe’ feeling Steve Jobs spoke about. I started writing meaningfully on that G3. I typed hundreds of thousands of words into it. I began to learn how to tell a story and write a tag. Not that I knew that, I was just having fun making things.

Realistically, my experience would have been mostly the same had that beige G3 been a Bondi blue iMac but I like to think the fact that I used a beige tool instead of a translucent tool somehow made me different. More authentic. A shittier version of Hunter S. Thompsen eschewing computers to write strictly on a typewriter. I didn’t even make the choice to purchase the G3, but the fact that a computer created an emotional narrative for me is something powerful.

In my mind I had this incredible, almost sentient, underdog tool that helped me become something. In reality it was just me with an effective conduit. Either way, I’m glad Apple made something that could mean something. I still have that G3 and it still means a lot to me.


Want to write about an old Mac you love? Get in touch! In your initial email, please indicate which Mac model you are planning to write about, so I don’t have systems covered more than once.

After we talk, please submit your work in Markdown or HTML. I will be editing posts to conform to AP style, and will link to your site or Twitter account in the Editor’s Note at the top of the post.

Australian Team Making Mac Fragrance — Seriously

Chris Matyszczyk at CNET:

Would you like to smell like your MacBook Pro?

No, not now that you’ve taken it to all the corners of your living space and the rear seats in coach on American Airlines. But the original, virginal, just-unboxed smell that apparently some find tantalizingly distinctive.

I have great news for you. For three Australian designers, collectively knows as Greatest Hits, decided that the world needed a fragrance that smells like Apple products. So, as 9to5 Mac sniffs it, they went to a “scent solutions company” called Air Aroma and put their noses to the grindstone.

Head. Into. Desk.

Repeat.

The Innovator’s Patent Agreement

Adam Messinger, Twitter’s VP of Engineering:

The IPA is a new way to do patent assignment that keeps control in the hands of engineers and designers. It is a commitment from Twitter to our employees that patents can only be used for defensive purposes. We will not use the patents from employees’ inventions in offensive litigation without their permission. What’s more, this control flows with the patents, so if we sold them to others, they could only use them as the inventor intended.

This is a significant departure from the current state of affairs in the industry. Typically, engineers and designers sign an agreement with their company that irrevocably gives that company any patents filed related to the employee’s work. The company then has control over the patents and can use them however they want, which may include selling them to others who can also use them however they want. With the IPA, employees can be assured that their patents will be used only as a shield rather than as a weapon.

We will implement the IPA later this year, and it will apply to all patents issued to our engineers, both past and present. We are still in early stages, and have just started to reach out to other companies to discuss the IPA and whether it might make sense for them too.

Good for them.

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