512 Pixels

On the Kroc Center

Over the past few years, I’ve been rather vague about my place of employment when talking or writing on the Internet. Not that my boss doesn’t know about 512 — he does — but I just felt that my life would be easier if people at work (locally and beyond) didn’t know about my online braaaaaaand.

As I recently announced that I’ve taken a position with a different company, I felt like I was finally able to write about what I’ve been up to for the last four years.

In February 2010, after the Apple-Authorized Service Provider I helped form bit the dust, I became the fourth staff member at The Salvation Army Ray & Joan Kroc Corps Community Center in Memphis.

Yes, that’s the full name. It’s on the building and everything.

I came on board as the IT Manager just about a month before groundbreaking. I was handed a flash drive with a set of blueprints, shown a desk and was tasked with designing, installing and running the IT and AV infrastructure of the 104,000 square-foot community center.

I was drawn to the project for several reasons. Not only was it a huge opportunity for my career, The Salvation Army’s vision for the Kroc project got me excited.

At her death in 2003, Joan Kroc (widow of Ray Kroc) gave The Salvation Army $1.5 billion of matching funds for the construction of 30 or so Kroc Centers across the United States.

(The first Kroc Center — in San Diego — opened when Joan was still alive, and has served as the template for the other centers.)

The Memphis Kroc Center is unique in its scope, and its mission to bring neighborhoods with different economic and social classes in a positive environment still makes me smile. “Arts, Education, Recreation & Worship” was the mantra, with this statement serving as the heartbeat:

The Kroc Center is a safe, caring and exciting place in our community where residents of all ages, races, educational backgrounds and economic means can come together to learn, grow, and explore their potential and to experience God’s love in the process.

To fund after-school programs and community outreach, all Kroc Centers have fitness and aquatics centers that people have to join to use.

After undergoing a rigorous application and selection process, Memphis became eligible to receive a matching gift from the Kroc Trust in 2005.

In March 2010, we held our groundbreaking ceremony. It was freezing and pouring rain, but we had hundreds of people there, excited about the new project happening at the center of the city.

The location of our Kroc Center is unique. Located on what was once known as the Mid-South Fairgrounds, the land has a rich history.

The Kroc Center sits on the south-west corner of the property, on 15 acres purchased from the city of Memphis at market value.

The demographics of the area are super interesting. Here are some facts about the location:

  • 32 schools & 75 churches within 3 miles
  • 0.2 miles to Christian Brothers
  • 2.5 miles to Rhodes College
  • 3.4 miles to University of Memphis

After Groundbreaking, construction started. One of the first items of business was removing the old pools from the property. The one in the photo below was the original pool, built in the 1920s. At the time, it was one of the largest salt water, zero-depth-entry pools in North America.

It was replaced later by a smaller, more modern pool until the city closed it sometime in the 80s. The concrete was pulverized and recycled in the Kroc Center’s aquatics area.

The concrete recycling was part of the Kroc Center’s bid to become LEED certified at the silver level. Another huge component of the bid was two 35,000 gallon tanks designed to hold, filter and re-use rain water collected from the roof to water the two NCAA-sized soccer fields on the property. Here, my boss Steve jokes about moving one of them:

As ground work continued, the first concrete was poured over the summer, and the city of Memphis began work on Tiger Lane, a greenway and tailgating area in the place of what was abandoned buildings left over from the Mid-South Fair days.

Our staff grew, and I worked mostly on what would become the $1.1 million audio video contract for the building.

I know a lot about projectors, amps and themed LED lights now.

By the end of June, the first steel for the Challenge Center and gym was going up:

The Challenge Center is unique to Memphis’ Kroc Center. The three-story area is one of the world’s largest examples of experiential learning. Through “missions” in 12 themed rooms ( driven by Apple TVs, oddly enough) to ropes courses and live music, students, families and community groups learn and grow together.

On either side of the Challenge Center, there’s a wall of stages, designed and built for youth and community members to play in a “concert environment,” even if they aren’t 21 and maybe aren’t that good:

As the summer of 2010 rolled on, construction continued at a steady clip. The gym continued to grow, and other portions of the building began to take shape as footings and slabs were put in place.

Some issues with the steel structure arose, and construction slowed for a year or so. Things never stopped, however, and more of the building seemed to appear every month.

Our staff was still pretty small, and all of us were very close. As people do in situations like this, jokes and pranks were common.

I even filled a co-worker’s space with chairs:

Construction continued, and we moved from AV to IT, working on the network layout, IT closets, VOIP system and more. With a background mostly tied to Apple products and services, it was a crash course in a lot of technology. I love learning, however, and with some help from some other IT guys in the area and some good vendors, the IT backbone of the Kroc Center began to take shape.

The building was taking shape, too. Areas were becoming more defined, and showing people the site involved less imagination on their part by the fall of 2011:

By this time, the first wire pulls for the network were being run in some sections of the building. As it is so large, the Kroc Center was built in four “zones,” with some being much further ahead then others.

Due to the size of the building, we ended up linking the main network closet and the remote closets with fiber. We used a mix of in-slab conduit and basket tray for the fiber and CAT–6 cables.

It surprised me that even in 2009 — when the Kroc Center plans were finalized — IT and security aren’t paid much attention to during the design phase of buildings. I had a few “server” rooms on the drawings, but the conduit isn’t how I would have designed it. The mechanical engineers didn’t have adequate cooling called for in the main network room, causing last-minute revisions.

On the non-IT front, the staff responsible for the fitness center, gym, Challenge center and more were coming on-board and starting to do work in the community. We held several camps in local schools and started working with our partners at their locations to do ministry.

The first half of 2012 brought much progress. The 300-seat Chapel and Performing Arts Center was taking shape.

This space features a dizzying number of lights, a fully-digital sound system and a video projection system that rivals many movie theaters. Dollar-per-square-foot, it was my most expensive room, and in the four months since opening has already been home to countless events.

The pool began to take shape at the same time, although it would be one of the last indoor areas complete.

Data and security cable were being run all over the place, and for the most part went smoothly. By the fall of 2012, the structure was complete, and work really took off on the interior. Challenge’s themed rooms were assembled (having been built in Florida), the gym floor went down and chairs went in the Chapel.

As 2012 came to an end, my staff and I went to work installing servers, AV gear and more. We had some really great local vendors, but a lot of the work rested on our shoulders.

As crews painted walls, stained the concrete floors and rolled in fitness equipment, we were there with them, loading in and setting up battery backups, the core switch and servers. Earlier in 2012, the Kroc staff had out-grown our office space downtown, and had moved down the street from the job site, which proved to be very helpful for those of us splitting out time between sites.

The Kroc Center doesn’t operate completely independently, of course. The IT department at our headquarters mostly stayed out of our way, which was great. Memphis has the best IT group of any Southern Kroc Center, and it really showed during the install period.

Even as construction continued around us, thankfully — amazingly — the plans we had put in place worked for the most part. The network and phones came online without any major issues, and we didn’t have any major server issues, on the Windows or OS X boxes.

After getting the backbone up and running, we setup check-in desks and concessions stands with point-of-sale systems, brought up the wireless, ran Ethernet through desks and cubicle partitions and (on rare occasion) slept. It was balls-to-the-wall crazy for a couple of months making sure the building and its systems would work for the Grand Opening at the end of February.

The Opening weekend was comprised of a dinner for donors, followed by two days of public events, tours, worship services and a dedication:

There was even (cold) water in the pool, and my kids met RJ, our mascot:

We didn’t have everything working by that first weekend, but everything we needed to be operational was up and running. It was backbreaking, but rewarding like no other work I’ve ever done. My team really was awesome, and we all learned a ton of stuff as we went about servers, networking, AV and more.

The Kroc Center has roughly 40 full-time employees, with at least twice that working part-time now that it is summer. I was honored to be the fourth staff member, and looking through my thousands of photos for this piece, teared up more than once thinking about what we pulled off getting the thing open.

I’ve never worked so hard in my life, or with a more broad scope of technology.

The Kroc Center has a long, bright future ahead of it. While I’m pained that I won’t be a direct part of it, I’m excited about my new gig, and am leaving on good terms.

Sometimes, it’s just time to move on, no matter how good things are.

RSS Sponsor: Radium⇢

Radium is a new way to listen to internet radio. It sits in your menu bar and stays out of your way. And it just works.

With its clean user interface and album cover display, you’re always just a click away from beautiful sounds. Add your favorite tracks to the wish list and check them out later on the iTunes Store. Take the sounds with you using Radium’s built-in AirPlay streaming support. It’s all there.

With the proliferation of services like Spotify and Pandora, why choose Radium? Because with Radium, you don’t have to build up playlists, constantly answer questions about your music preferences, or navigate a cumbersome user interface. Radium is all about the sounds. And these sounds come from over 6000 free stations, maintained and curated by real people like you.

Available for $10 on the Mac App Store. Check it out. Sponsorship by The Syndicate.

Byword 2.0 Released⇢

Byword — my favorite Markdown-ready text editor for iOS and OS X — received a huge update today.

In addition to better Dropbox syncing (yay, offline!) and a tweaked UI on iOS, Byword 2.0 brings a huge feature: publishing.

Enabled by a $4.99 in-app purchase, Byword can now publish WordPress, Tumblr, Blogger and Scriptogram blogs and Evernote notebooks.

The WordPress support is the most helpful to me, as 512 runs on it. Currently, custom fields can’t be saved for re-use. I created a TextExpander snippet to drop linked_list_url= in place for now, but the developers say that better support for this sort of thing is coming in a future build. While I didn’t ask about in beta — I’m a terrible beta user — caching of categories and tags would be helpful as well.

Unlike my current setup, Byword pushes HTML to my server, not Markdown, and does it on the fly, eliminating the need for a plugin to do the heavy lifting.

My only other complaint is equally minor — once you enter the “Publish” screen, you have to publish or cancel, and the latter doesn’t save the settings. The idea here is to stay in your “writing environment” until you’re ready to go, then publish.

This doesn’t resonate with the way I work, sadly. I like MarsEdit’s approach of putting the content and most of the publishing data on the same playing field.

All of this isn’t to say that Byword’s new features are bad. In fact, overall, it’s a great addition to an already-solid app. In fact, I wrote this piece in it:

All in all, if you use Byword now, this update only makes it better. If you aren’t using the app, now’s the time to check it out.

Feedly Looks Forward⇢

With the death of Google Reader just a few weeks away, the people behind Feedly are hard at work.

In addition to updating their web app, they’re working on something that made me smile:

We have been working behind the curtains with the developers of Reeder, Press, Nextgen Reader, Newsify and gReader as design partners for our Normandy project. Today we are excited to announce that you will be able to access your feedly from all these apps before Google Reader retires and that the access to feedly API will be free. More details soon.

I really like Reeder, but have been using Feedly’s web and first-party apps for several weeks. It’ll be nice to switch back soon.

How To Setup iOS To Sync With Google Contacts Via CardDAV

Back in December, I outlined how to hook up Google CardDAV to Contacts in Mountain Lion, but neglected to cover how to do so on iOS.

Sorry about that. Here’s how to do it.

In the Settings app, tap “Mail, Contacts, Calendars,” then tap “Add Account…”

In the Accounts Type screen, select “Other” at the bottom of the list, then select “Add CardDAV Account.”

The next screen is where you enter settings for the account:

Here are the details you need:

  • Server: google.com
  • User Name: Full Gmail address
  • Password: Your Gmail password
  • Description: What you want to call the account.

Once you are done entering this information, tap “Next” in the upper-right hand corner, and iOS will verify the settings are correct, then kick you back to the main Accounts screen.

The account will automatically sync the first time. Like on OS X, CardDAV accounts have to manually synced for later updates.

If your iPhone or iPad doesn’t have any other contact accounts setup, you’ll need to select your vcard for the “My Info” setting:

Old Mac of the Month: Titanium PowerBook G4

This month’s entry is written by Jared Sorge. Jared’s been a Mac user since 1st grade and sold them from 1999–2003 for an Authorized Reseller in the Seattle area. Currently he’s a developer of FileMaker and iOS apps. You can find him on Twitter and ADN as @jsorge, or at his blog over at jsorge.net.


image via Apple PR

In January 2001, Apple brought out the Titanium PowerBook G4. This was a landmark introduction that would influence generations of designs across the PC industry (and still holds up well today).

Back then, there was an unwritten rule that you skip the first generation of a new Apple product. They were known for some quality issues, and the TiBook was no exception. There were problems with the display hinges, the new slot-loading DVD drive (an industry first in a laptop) and the FireWire controller.

Apple spec bumped up to 550 & 667Mhz in October, adding gigabit ethernet as well as boosting the bus on the 667 to 133Mhz but the real second generation Titanium PowerBook came in April 2002.

I was waiting to buy one of these. At that point I had a Blue & White G3 and one of the Dual USB iBooks and wanted to consolidate my computing to one machine. I sold both of those computers to buy one of the 667Mhz PowerBooks. It was worth every penny.

Hardware

  • 667Mhz G4 processor
  • 256MB PC133 SO-DIMM RAM
  • 30GB Hard drive
  • 15.2" Widescreen, enhanced to 1280x854 resolution
  • ATI Mobility Radeon 7500 w/ 32MB DDR SDRAM
  • Slot-loading combo drive (fixed from the original DVD-ROM drives)
  • DVI video output
  • 133Mhz system bus across all models
  • AirPort ready (the high-end 800Mhz model came with the card installed)

The big news of note in the hardware department was the display. The first couple revisions of the Powerbook G4 had an 1152x768 resolution. The DVI model upped that by 23% according to Apple’s PR. I got the computer to do video editing, and the extra resolution definitely came in handy when I would run Final Cut Pro. I loved that display. And with the extra graphics horsepower it handled Castle Wolfenstein with ease.

Software

  • Mac OS X v10.1 and Mac OS 9.2
  • Acrobat Reader
  • Art Directors Toolkit
  • Earthlink
  • FAXstf
  • Graphic Converter
  • Internet Explorer
  • OmniGraffle
  • OmniOutliner
  • PCalc
  • PixelNhance
  • Snapz Pro X

My first reaction to researching all of this: Just look at that list of third-party software that they used to include in every one of these computers 1. I loved using OmniOutliner for taking notes in classes. I still use OmniGraffle for flowcharting processes and prototyping some UIs. I wish Apple would get back to these older ways and bundle some more quality third-party apps, but we all know that won’t be happening.

My PowerBook G4

I loved my TiBook, so much so that I actually bought 2 of them. One of my co-workers at the time was moving to Africa and wanted to buy a machine that he knew was reliable so he paid the same amount as a new one and I bought another.

One of the sad things about the titanium design was that the case was painted. On the first day of use while taking notes in class, my metal watch actually chipped some of it away. I got around this later by using my keyboard screen protector as a cover where my watch would hit the case but by that point the damage was done (I learned my lesson before my 2nd one, which stayed pristine during my usage).

I bought the PowerBook in the middle of a weird season for me, with new computer purchases every year from 2001–2004. I replaced this PowerBook with one of the 12-inch PowerBook G4s in 2003. I’m pretty sure that I actually made money on the deal (which was a driving factor for a college student) and I really wanted the SuperDrive for burning my videos.

Selling my TiBook was a mistake, so in 2004 I sold the 12-inch PowerBook and bought a refurbished 15-inch Aluminum PowerBook G4. That machine had several repair issues and after the third time Apple replaced it with a brand new one. You guessed it, I sold it a couple months later and used those funds to buy an iMac G5. 2 That was the last computer I would purchase for home until 2009, when I upgraded to a 15-inch Unibody MacBook Pro that I still use.

The Titanium PowerBook G4 was a landmark in computing. Apple perfected its design with the DVI model, increasing the screen resolution, the speed, and ironing out the kinks from the first generation. I loved that computer, and it served me well for too short of a time.


Want to write about an old Mac you love? Get in touch!


  1. Remember when Apple and Earthlink were partners? ↩︎

  2. Yes, I was certifiably crazy during those few years. And it’s odd how several of my computers that I’ve owned have been featured here on 512 Pixels. ↩︎

One Half Of One Percent⇢

Wayne Hale, 32-year NASA veteran and Space Shuttle Flight Director:

For all our limitations, America is a very rich country. There are many things which America needs to do for the present moment: provide for a strong military to protect us in a dangerous world, educate our children, care for our elderly and infirm, revitalize our transportation infrastructure of roads, bridges, airports, and more. All of these activities are of vital importance today. Space exploration is about the future. Space exploration is possibly the only line item in the federal budget that is all about the future. Currently we spend one half of one percent of our nation’s treasure on the future. Isn’t the future worth that investment? Or more!

On the Acer Aspire R7⇢

David Pierce at The Verge:

In a fit of late-night frustration, I picked the R7 up, held it aloft, and shouted at it: “WHAT ARE YOU?!” I still don’t know. It’s too big and cumbersome to be a really useful laptop — even for a 15-inch device it’s pretty enormous. But it’s too small to be an all-in-one, and not powerful enough to really qualify as a desktop or desktop replacement.

Be sure to click through, if even just to look at the photos of this machine. It’s wild, and not in a good way.

The State of Apple’s Mac Software Products

Steve Jobs said on numerous occasions that Apple is primarly a software company.

As Apple Remote Desktop crashed on my MacBook Air yesterday, that came to mind. Then I realized besides some maintenance updates, ARD hasn’t changed all that much in a while.

I decided to take a look at all of the software Apple currently has in the Mac App Store, and see if that was the case for other titles as well.

Apple Configurator

Apple Configurator is a free application designed for setting up, deploying and managing large numbers of iOS devices.

Using Apple Configurator, IT professionals in educational and business environments can configure multiple devices at once, update iOS from a central point across multiple devices, install apps, setup restrictors and more.

(To learn more about the app, be sure to check out these two episodes of the Out of School podcast.)

It is currently siting at version 1.2.1, with its last update on October 31, 2012, adding iOS 6 support and squashing bugs relating to data activation on iPhones and LTE-equipped iPads. The update also added more robust support for managing AppleTVs.

Apple Remote Desktop

Apple Remote Desktop has been the central tool for most Mac admins for years. First released in March 2002, the app supported both the classic MacOS and OS X.

The app has seen some major changes over the years. Version 2 moved the entire connection scheme to the VNC standard, and version 3 (released in 2006) added better security tools and support for Intel.

$499 used to get you support for an unlimited number of managed computers, but the app is now just $79.99 in the Mac App Store.

Sadly, the app is just at version 3.6.1. In the last seven years, Apple’s only really touched the app to add support for new versions of OS X. In August 2012, ARD was updated for “improved performance,” after Mountain Lion broke version 3.5.

I — like many people who rely on Apple Remote Desktop daily — feel like its been forgotten by Apple. It feels stagnant. At least it’s affordable now.

Aperture

Aperture is Apple’s pro-level photography editing and management application.

Aperture had a rocky birth, with the first versions being painfully slow, even on on decent hardware.

Overall, while Aperture 3 itself has been out for over three years, Apple updated the application fairly regularly, albeit mostly to add RAW support for new cameras.

Many believe that Aperture is due for another overhaul. Aperture X has been rumored for some time, and could be critical for the product, as Adobe keeps improving Lightroom at a much faster clip.

Like ARD, the price has fallen from $499 to just $79.99 after its introduction in the Mac App Store. Version 3.4.4 was updated in April of this year.

Compressor

Compressor 4 is one of the few apps on this list that I’ve never used.

In a nutshell, Compressor adds more powerful exporting options to Final Cut Pro X. It boasts numerous options for fine-tweaking video output (including re-timing, cropping, applying filters and more), and can be used to build workflows to cut down on repetitive tasks. Compressor is mainly used for preparing video for DVD or Blu-Ray discs, although DVD Studio Pro is basically dead.

Compressor was part of the old Final Cut Studio, but is now available as a stand-alone application for $49.99 from the Mac App Store.

FaceTime

FaceTime is a 99¢ app on the Mac App Store.

The app is used to make FaceTime calls from the Mac, and pops up when an incoming call is detected on your AppleID. FaceTime is a very simple app, and oddly, is built using OS X’s HID interface. Last updated in March of 2011, it’s remained basically unchanged for the course of its life. It does what it needs to do, but it should be free.

As simple as the app is, its history is confusing. OS X 10.7 Lion came with FaceTime installed out of the box, so the App Store version is only needed if you are running Snow Leopard or somehow don’t have it installed. While the App Store version is 1.0.2, while Mountain Lion ships with version 2.0.

Final Cut Pro

Out of all of the apps on this list, none have caused so much controversy as Final Cut Pro.

Apple announced Final Cut Pro X in 2011, and was met with wide-ranging criticism from the professional video editing community. The new version stripped out many features found in Final Cut Pro 7, the previous version.

The $299 app is updated more frequently than anything else on this list. Every update has brought substantial improvements, bringing the new version back to near-parity with the old.

The current version — 10.0.8 — was last updated in March of this year.

iBooks Author

iBooks Author is one of the newest apps on the list. Announced in January 2012, the free app allows users to build custom books — including textbooks — for the iPad version of iBooks. (The books created with the app won’t run on the iPhone, and there’s no Mac version of iBooks at this time.)

iBooks Author looks and operates like an iWork application, bringing the same UI to a more powerful application. Users can add videos, interactives and more to their book easily.

Version 2.0 was released in October 2012, with new templates, better support for mathematical expressions, and the addition of custom fonts.

iLife

The iLife suite — made up GarageBand, iMovie and iPhoto — isn’t really a suite anymore. At one time, all of the apps (with iDVD and iWeb) came together on an installer DVD.

Now available from the Mac App Store for $14.99 each, iLife received its last major update in October 2010, earning an ’11 at the end of its name.

iMovie and iPhoto were both updated this spring, but GarageBand — at version 6.0.5 — has been untouched since March 2012, when bug fixes related to the iOS version were pushed.

iLife’s rather stagnant state is in contrast with its history, which saw new versions far more frequently. In 2001, Steve Jobs unveiled his “Digital Hub” vision, and iLife became the realization of that, in many ways. Today, the iOS versions seem enjoy more of Apple’s attention, however.

iWork

There’s nothing sadder on this list, however, than iWork. Keynote, Numbers and Pages have been largely untouched since 2009. In July 2012, iWork gained iCloud and Retina display support.

Keynote 5.3, Pages 4.3 and Numbers 2.3 were released in December 2012, adding support for version their updated iOS counterparts.

iWork feels largely forgotten. While all three apps feel relatively feature-complete, there are things from iBooks Author Apple could add, in addition to new transitions and themes for Keynote. Currently, all three enjoy spots in the top five paid productivity applications on the Mac App Store.

As someone who uses Keynote and Pages often, I would love for Apple to remember these things are still around. It’s pretty pitiful.

Logic Pro

Like Aperture, Logic Pro 9 enjoyed a big price break when moving to the Mac App Store, and a “X” version has long been rumored. Unlike Aperture (and Final Cut Pro X), however, Logic Pro is relatively popular.

Last updated in October 2012, Logic Pro has remained untouched for some time, but Apple still enjoys a sizable marketshare in the space it shares with Pro Tools.

MainStage

Once part of the Logic Studio bundle, now MainStage is just $29.99 on the App Store.

Used by musicians who need live (or in-studio) effects, plug-ins and digital instruments, MainStage is a weird app to me. While I’m not in the market for something like this, I never hear anything about it. Obviously, it continues to sell, though. (Unlike Soundtrack Pro 3, which was dropped when the Logic Studio bundle was discontinued.)

Version 2.2.2 was released in January 2012 for better compatibility with OS X 10.7.4.

Motion

Like Final Cut Pro and Compressor, Motion is a remnant of the Final Cut Pro Studio package. (Ironically, from 2005–2006, Motion was sold as a stand-alone product.)

Now $49.99, the app was last updated in March 2013, bringing it to version 5.0.7. Version 5 was first released in June 2011.

Motion — like Compressor — is mainly used in conjunction with Final Cut, offering additional tools and options for menus, graphics and transitions. Both 2D and 3D animations can be created, putting it at odds with Adobe’s After Effects for many uses.

Xcode

When not sending text messages, to its users, Xcode is Apple’s tool for developing Mac and iOS applications.

Version 4.6 was released in January of this year, supporting OS X Lion and Mountain Lion, in addition to iOS versions 4.3–6.1.

Xcode is free to download and use, but a membership to the iOS or Mac Developer Program is required for some functions, including access to the Mac and iOS App Stores.

Xcode is updated frequently, as Apple has to support both its desktop and mobile operating systems and devices with the tool. Xcode 4 — introduced at WWDC in June 2010 — was the last major change, dropping PowerPC support. While each subsequent point release has included updated tools — including storyboards with 4.2 — the application remains basically the same.

Conclusions

After spending way too much time in the Mac App Store compiling all of this, I’ve come to several conclusions:

  1. Naming matters. Apple has — for the most part — dropped version numbers and release dates from their programs’ titles. “iWork ’09” and “iLife ’11” sound out-dated, whereas “Pages” or “iPhoto” don’t. It’s clever, and helps cover the fact that some of the core OS X apps Apple sells have been aging for some time.
  2. iOS is Apple’s focus. Anyone who has looked at the company’s earnings statements knows that the Mac isn’t the company’s big money maker anymore. While OS X continues to charge forward at a reasonable rate, Apple is clearly more focus on mobile than the desktop when it comes to client software.
  3. The Mac App Store is interesting. Almost all of these apps have seen major price drops since going digital-only. While the savings of ditching boxes and optical media is a factor, I think Apple really wants to make these products more accessible. Clearly, they’re saving money on development costs on more than a few of these apps. Ka-ching!

Sigh.

RIP, Camino⇢

Two things:

  1. I used the crap out of Camino in college. Safari wasn’t very good in the 10.2 and 10.3 days.
  2. I didn’t know it was still around.